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GRANTS 1994, Irving S. Gilmore International Keyboard Foundation, "Musicians and Mental Health" PUBLICATIONS Nagel, J.J. (2006) Performance Anxiety and the Musician. The American Psychoanalyst (TAP). Vol. 40, No. 2, pp. 16;22. 覧 (in press) The Aural Road. In American Imago, J.J. Nagel (Guest Ed). Johns Hopkins University Press, Baltimore, Md. Nagel, J.J. & Nagel, L. (2005) Animals, Music and Psychoanalysis (book chapter in: Cultural Zoo: Animals in the Human Mind and its Sublimations (Eds., S. Akhtar & V. Volkan). pp. 177-206 IUP. Nagel, J.J. (2004) Stage fright theory and treatment: One size does not fit all. Medical Problems of Performing Artists Vol. 19, No. 1, pp. 39-43. 覧 (1999) When is a Music Teacher More Than a Music Teacher?: Psychological Issues in the studio (invited article) American Music Teacher. (June/July) 覧 (1998) Injury and Pain in Performing Musicians: A Psychodynamic Diagnosis. In R.T.. Sataloff, A G. Brandfonbrener., R.J. Lederman, (Eds) Performing Arts Medicine (second edition), San Diego, Calif.: Singular Publishing Group, pp. 291-299. 覧 Injury and Pain in Performing Musicians: A Psychodynamic Diagnosis. (book chapter in: Textbook of Performing Arts Medicine, 2nd edition (R. Sataloff, A. Branfonbrenner, and R. Lederman, eds.) 覧 (1998) Injury and Pain in Performing Musicians: A Psychodynamic Perspective. Bulletin of the Menninger Clinic. Vol. 62, No. 1 (winter) 覧 (1996) Stressbusters for Music Teachers. Piano and Keyboard. p. 18-23 (Nov/Dec) 覧 (1993) Stage Fright in Musicians: A Psychodynamic Perspective. Bulletin of the Menninger Clinic, Vol. 57, No. 4 (fall) 覧 (1991) When Good Teaching Isn't Enough. American Music Teacher, Feb., Mar. 覧 (1990) Performance Anxiety and the Performing Musician: A Fear of Failure or a Fear of Success. Medical Problems of Performing Artists, Vol. 5, No. 1, (March) 覧 (1989) Musicians' Maladies (Correspondence). New England Journal of Medicine, Vol. 321, No. 1 (July) 覧, Himle, D.P., & Papsdorf, J. (1989) Cognitive-Behavioral Treatment of Musical Performance Anxiety. Psychology of Music, Vol. 17, No. 1. 覧 (1988) In Pursuit of Perfection: Career Choice and Performance Anxiety in Musicians. Medical Problems of Performing Artists, Vol. 3, No. 4, (Dec.) 覧 (1988) Identity and Career Choice in Music. Journal of Cultural Economics, Vol. 12, No. 2, Dec. 覧 (1988) Can There Be a Unified Theory for Social Work Practice? Social Work, Vol. 10, No. 4, (July-Aug.) 覧 (1987) An Examination of Commitment to Careers in Music. In Artists and Cultural Consumers, D.V. Shaw, W.S. Hendon, and C. R. Waits, (Eds.), Association for Cultural Economics., Vol, III. 覧 (1987) Is There A Choice in Career Choice in Music? Clavier, Vol. 26, No. 2. 覧 (1986-1988) "On Stage". A regular column in Clavier. 覧 (1985) Reducing Students' Stage Fright. The Australian String Teacher. Vol. 7, No. 4. 覧 (1984) Reducing Students' Stage Fright: Can Music Teachers Be Psychologists? UPDATE: Journal for Research in Music Education. Vol., 2, No. 3. 覧 (1981) Performance Anxiety. European Piano Teachers' Journal, Vol. 2, No. 5. 覧 , Himle, D. and Papsdorf, J. (1981) Coping with Performance Anxiety. The NATS Bulletin, Vol. 37, No. 4. PRESENTATIONS (Illustrative) (Numerous lectures and workshops presented locally, nationally, internationally at Universities and Teacher Organizations, and Professional Organizations) Parenting Performers and Performance Anxiety in Ice Skating. Arctic Edge Figure Skating Club. Arctic Edge Ice Arena, Canton, Michigan, May 7, 2006 Psychoanalytic Perspectives on Music and its Interpretation, Conference on Music and Mind,New Center for Psychoanalysis, Los Angeles, Calif., March 4, 2006 Performance Anxiety, Conference on Music and Mind, New Center for Psychoanalysis, Los Angeles, Calif., March 4, 2006 Performance Anxiety in Musicians and Athletes. American Psychoanalytic Assoc., New York, Jan. 2006 What Can Psychoanalysis Learn from Listening to Mozart?. American Psychoanalytic Assoc., New York, Jan. 2006 Performance Anxiety. Presentation at Shenandoah Conservatory, Winchester, Virginia, Feb. 2005 A Psychoanalytic Perspective on Music and its Interpretation. American Psychoanalytic Association, New York, Jan. 2005 Music and Creativity: Discussant of papers on G. Mahler, B. Bartok, S. Rachmaninoff, and A. Scriabin. American Psychoanalytic Association, New York, Jan. 2004 Music, Affect, and Meaning: Songs Without Words, Co-Chair: American Psychoanalytic Association, New York, Jan. 2003 Rachmaninoff's Emotional Collapse and Recovery: The First Symphony and it's Aftermath, Discussant, American Psychoanalytic Association, New York, Jan. 2003 Performance Anxiety. National Association of Schools of Music, New Orleans, LA., 2003 Da Capo: Psychoanalysis and Musical Performance, Co-Chair: Discussion Group, American Psychoanalytic Association, New York, annually 1997-2003 Panel on Performance Anxiety. American Liszt Society, Ravello & Vietri Sul Mare, Amalfi Coast Music Festival (by invitation) summers 1999, 2001. Performance Anxiety. International Music Camp, Warsaw and Lublin, Poland, summer 1998; 1999. Injury and Pain in Performing Musicians: A Psychodynamic Perspective. Winter meetings of The American Psychoanalytic Association, New York, Dec. 1997 Mozart in 1778. Winter meetings of The American Psychoanalytic Association, New York, Dec. 1997 Performance Anxiety. Van Cliburn Institute, Fort Worth, Tx. (invited speaker). June 1997 Stressbusters. Music Teachers' National Conference, Dallas, Tx.(invited speaker). June 1997 Stressbusters for Music Teachers. Ohio Music Teachers' Association (invited speaker), Oct. 1996 Therapeutic Relationships with Creative People: The Psychotherapist, Teacher, Performing Artist. American Psychological Association 1996 Annual Convention, Toronto, Canada, (Chair of Symposium) Piano Festival. Park City, Utah. (lectures on stage fright and adjudicator of piano competition) August 1996. Stressbusters for Music Teachers. Minneapolis Music Teachers' Association. (invited speaker) June, 1996. Injury and Pain in Performing Musicians: A Psychoanalytic Diagnosis. International Conference on Arts Medicine and Therapy, Tel Aviv, Israel, 1995 Symposium on Musicians and Mental Health. Funded project for Irving S. Gilmore International Keyboard Festival, Kalamazoo, MI. 1994 Stage Fright. St. Petersburg Conservatory, St. Petersburg, Russia, 1992 Understanding Stage Fright. The Rubin Academy, Jerusalem, Israel, 1992 Contrapuntal Themes: Personality Development and Occupational Choice Among Performing Musicians. Miller Institute for Performing Arts, New York, N.Y., 1992 Stage Fright. 100th annual Convention of the American Psychological Association, Washington, D.C., 1992 Stage Fright. Michigan Opera Theater, Detroit, Michigan 1991 Understanding Performance Anxiety. Western Michigan University Convocation Series, Kalamazoo, MI. 1991 Coping with Performance Anxiety. Ann Arbor Board of Realtors, Ann Arbor, MI. 1991 Taking Charge of Anxiety. Continuing Education for Women, University of Michigan, Ann Arbor, MI. 1992, 1991 Stage Fright. The Moscow Conservatory, Moscow, USSR, 1990 Performance Anxiety. Michigan State Medical Society, 1990 Understanding Stage Fright. University of Michigan School of Music, 1988, 1989 Stage Fright and University Students. University of Michigan Health Service, Ann Arbor, MI. 1988 Stage Fright. Peabody Conservatory of Music, Baltimore, MD., 1985, 1987 An Examination of Commitment to Careers in Music. Conference on Cultural Economics, Avignon, France, 1986 Effects of Stage Fright on Performance Careers. Conference on Medical Problems of Musicians, Aspen, Colorado, 1985 A series of lectures on stage fright. Conservatorium of Music, Sydney, Albury, Newcastle, and Wagga Wagga, Australia, 1984 A series of workshops on stage fright. The Public Schools, Tortola, The British Virgin Islands, 1984. Developing Communication Skills Through Music With Non-Verbal Children. World Conference on Mental Retardation, Toronto, Canada, 1982 Coping with Stage Fright. First International Conference on Tension in Music Performance, Surrey, England, 1981 HONORS/AWARDS Nathan P. Segel Outstanding Essay Award: "Mozart in 1778: Music as Psychoanalytic Data", Michigan Psychoanalytic Institute., 2003 PROFESSIONAL MEMBERSHIPS AND AFFILIATIONS Ann Arbor Committee for Psychoanalysis and the Arts: former Chair (committee no longer operative)Ann Arbor Committee, Michigan Psychoanalytic Institute American Imago: Editorial Board American Psychoanalytic Association, Member American Psychoanalytic Association, Program Committee, Member American Psychoanalytic Association, Arts and Psychoanalysis Committee: Co-Chair, Music Section American Psychological Association, Member Committee for Pianists' Wellness: National Conference on Keyboard Pedagogy, Member International Arts Medicine Association: former Board of Directors and former Chair: Mental Health Committee Medical Problems of Performing Artists, Editorial Board Michigan Psychoanalytic Society, Member Michigan Psychoanalytic Institute, Member Development Committee and Foundation Reviewer: Psychoanalytic Psychology, International Journal of Psychoanalysis, Journal of the American Psychoanalytic Association The American Psychoanalyst (TAP): Editorial Board, 2006- LICENSURE Full license in Psychology (MI. 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