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Music & Psychoanalysis Bibliography

 

The Directors recognize that a bibliography such as this is necessarily an ongoing endeavor, and we welcome outside contributions. Should you wish to submit a reference for consideration, please send a message to one of the Directors.

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Abelin, E.L. (1971), The role of the father in the separation-individuation process. In: Separation Individuation, Essays in Honor of Margaret S. Mahler, eds. J.B. McDevitt & C. F. Settlage. New York: International Universities Press.

Abell, A.M. (1908), Famous violinists of the past. 11. Giuseppe Tartini. Musical Courier, 57/5:8-9.

——   (1955), Talks with Great Composers. New York: Philosophical Library.

Abraham, K. (1913), Restriction and transformations of scoptophilia in psychoneurotics. In: Selected Papers on Psycho -Analysis. London: Hogarth Press, 1927

——   (1913), The ear and auditory passage as erotogenic zones. In: Selected Papers on Psycho-Analysis. London: Hogarth Press, 1927

——   (1924), A short study of the development of the libido, viewed in the light of mental disorders. In: Selected Papers on Psycho-Analysis. London: Hogarth Press, 1927

Abrams, D. (1991), Looking at and looking away: Etiology of preoedipal splitting in a deaf girl. The Psychoanalytic Study of the Child, 46:277-304. New Haven, CT: Yale University Press.

——   (1992a), The dream's mirror of reality. Contemp. Psychoanal., 28/1:50-71.

——   (1992b), Origins of innovation: Freud, Little Hans, and the Grafs. Paper presented, Div. 39 of Psychoanalysis, American Psychological Association Spring Meeting, Philadelphia, PA.

——   (1993), Freud and Max Graf: on the psychoanalysis of music. In: Psychoanalytic Explorations in Music (Second Series), Feder, S., Karmel, R.L., Pollock, G., eds. Madison: International Universities Press.

Addis, L. (1999), Of Mind and Music. New York: Cornell University Press.

Adorno, T. (1952), In Search of Wagner, tr. R. Livingstone. U.K.: Thetford Press Ltd., 1981.

——   (1967), On the Fetish-Character in Music and the Regression in Listening. In: The Essential Frankfurt School Reader, A. Arato & E. Gebhart, eds. NY: Urizen Books, pp. 270-299

——   (1973), Philosophy in Modern Music. A.G. Mitchell & W.V. Blomster, trans. NY: Seabury Press.

——   (1978), On the social situation of music. Teleos, 35:128-164.

Aizenberg, D., Schwartz, B. & Modal, B. (1986), Musical hallunications, acquired deafness and depression. J. Nervous and Mental Disease, 174:309-311.

Albright, D. (1999) Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: University of Chicago Press.

Alexander, F. (1954), The psychosomatic approach in medical therapy. In: The Scope of Psychoanalysis. New York: Basic Books, 1961

Allen, S. (1942), Classical music. Bull. Menninger Clin., 6:75-77.

Alvarez, X. (1989), Rhythm as motion discovered. Contemp. Music Rev., 3:203-231.

Amram, D. (1968), Vibrations, Adventures and Musical Times of David Amram. New York: Macmillan.

Anderson, E., ed. (1938), The Letters of Mozart and His Family, 3 vols. London: Macmillan.

——   (1961), The Letters of Beethoven, 3 vols. London: Macmillan.

——   (1966), The Letters of Mozart and His Family, 2nd ed., 2 vols. London: Macmillan.

Antrim, D. (1943), Music in industry. Musical Quart., 29: 275-290.

Anzieu, D. (1979), The sound image of the self. Internal. Rev. Psycho-Anal., 6: 23-36.

Arazi, 1. (1969), One plus one equals one. Amer. String Teacher, 19: 1, 6-10, 26.

Arieti, S. (1976), Creativity: The Magic Synthesis. New York: Basic Books.

Aristotle, Politica, Book 8. Trans. T. A. Sinclair, New York: Penguin, 1981.

——   Rhetoric, 3. Quoted in The Riddles of the Exeter Book, ed. F. Tupper. Boston: Ginn and Co, 1910, pp. xii-xiii.

Arlow, J.A. (1969), Fantasy, memory and reality testing. Psychoanal. Quart., 38:28-51.

——   (1980), Object concept and object choice. Psychoanal. Quart., 49: 109-133.

——   (1984), Disturbances in the sense of time. With special reference to the experiences of timelessness. Psychoanal. Quart., 53:13-37.

Arnheim, R. (1954), Art and Visual Perception: A Psychology of the Creative Eye. Berkeley & Los Angeles: University of California Press, 1957.

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Babikian, H.M. (1983), The psychoanalytic treatment of the performing artist: superego aspects. Paper presented at the annual meeting, American Academy of Psychoanalysis, New York.

Bach, K. (1753), Versuch iber die wahre Art das Clavier zu spielen, 5th ed. Berlin: F. Henning.

Bak, R. (1973), Being in love and object loss. Internat. J. Psycho-Aral., 54: 1-8.

Bakhtin, M. (1968), Rabelais and His World. Cambridge: Massachusetts Institute of Technology.

Balliet, W. (1974), Alex Wilder and His Friends. New York: Houghton Mifflin.

Balter, L., Spencer, H.J., Jr., & Lothane, Z. (1980), Otto Isakower and the Analyzing Instrument. Psychoanal. Quart., 49:474 -504.

——   (1999), On The Aesthetic Illusion. J. Amer. Psychoanal. Assn., 47:1293-1333.

Barkan, H. (1957), Johannes Brahms and Theodor Billroth; Letters from a Musical Friendship. Norman: University of Oklahoma Press.

Basch, M. F. (1976), The concept of affect: a re-examination. J. Amer. Psychoanal. Assn., 24:759-777.

Baudry, F. (1984), An essay on method in applied psychoanalysis, Psychoanal. Quart., 53:551-581.

——   (1992), Faulkner's As I Lay Dying: Issues of method in applied psychoanalysis. Psychoanal. Quart., 61/1:65-84.

Bauer, W.L., Deutsch, O.E., & Eibl, J.H., eds. (1962-1975), Mozart: Briefe und Au/zeichnungen, 7 vols. Kassel: Barenreiter Verlag.

Bauer-Lechner, N. (1923), Erinnerungen an Gustav Mahler. Zurich: E P. Tal.

Becker, H. (1980), Johannes Brahms. In: The New Grove Dictionary of Music and Musicians. Vol. 3, 6th ed. S. Sadie. London: Macmillan, pp. 155-174.

Beethoven, L. van (1801), Letters, ed. A. Eaglefeld-Hill. New York: E. P. Dutton, 1951.

Beres, D. (1957), Communication in psychoanalysis and in the creative process: A paraliel.j. Amer. Psychoanal. Assn., 5: 408-423.

Berezin, M.A. (1958), Some observations on art (music) and its relationship to ego mastery. Bull. Phila. Assn. Psychoanal., 8: 49-65.

Bergler, E. (1950), The Writer and Psychoanalysis. Garden City, NY: Doubleday.

Bergman, P., & Escalona, S.K. (1949), Unusual sensitivities in very young children. The Psychoanalytic Study of the Child, 3/4:333-352. New York: International Universities Press.

Bergmann, M. (1980), On the intrapsychic function of falling in love. Psychoanal. Quart., 49: 56-77.

Bergstein, M. (2003), Verdi's Rigoletto: The dialectic interplay of the psychic positions in seemingly 'mindless' violence. Int. J. Psychoanal. 84:1295-1313.

Bernfeld, S. (1915), Zur Psychologie der Unmusikalischen. Archiv. fur die gesamte Psychologie, 34: 235-253.

Bernstein, L. (1976), The Unanswered Question: Six Talks at Harvard. Cambridge, MA: Harvard University Press.

Blaukopf, K. (1976), Mahler, a Documentary Study. New York: Oxford University Press.

Blom, E. (1954), Grove's Dictionary of Music and Musicians. 5th ed. New York: St. Martin's Press.

Blume, E (1963), Requiem but no peace. In: The Creative World of Mozart, ed. P.H. Lang. New York: W.W. Norton, pp. 103-126.

Bollas, C. (1978), The aesthetic moment and the search for transformation. In: The Annual of Psychoanalysis, 6:385-394. New York: International Universities Press.

Bonaparte, M. (1949), The Life and Works of Edgar Allan Poe. London: Imago.

Boretz, B. (1979), Language as music. Perspect. New Music, 17/2.

Bornstein, M. (1977), Analysis of a congenitally blind musician. Psychoanal. Quart., 46(1):23-37

Bourboulis, P.P. (1964), Ancient festivals of "Saturnalia" type. Hellenika, 16, pp. 7-37 (Thessalonike, 1964).

Boyer, L.B. (1992), Roles played by music as revealed during countertransference facilitated transference regression. Internat. J. Psychoanal., 73:55-70.

Bradshaw, S. (1973), A psychoanalytic view of music composition. Confinia Psychiat., 16:220-237.

Brakel, L.A. W. (2007), Music and Primary Process: Proposal for a Preliminary Experiment, American Imago 64(1):37-57.

Brahms, J. (1983), Briefe. Leipzig: Reclam.

Branfman, T.C. (1955), Psychology of music and musicians: Two clinical examples. Amer. Imago, 12:3-7.

Brazelton, T. B., Koslowski, B., & Main, M. (1974), The origins of reciprocity: The earlv mother-infant interaction. In: The Effect of the Infant on Its Caregiver, eds. Lewis, M. & Rosenblum, L.A. New York: John Wiley, pp. 49-76.

Brenner, C. (1968), Archaic features of ego functioning. Internat. J. Psycho-Anal.,49: 426-429.

——   (1974), On the nature and development of affects: A unified theory. Psychoanal. Quart., 44: 532-556.

——   (1975), Affects and psychic conflict. Psychoanal. Quart., 45:5-28.

Brockway, W., & Weinstock, H. (1941), The Opera: A History of Its Creation and Performance: 1600-1941. New York: Simon & Schuster.

Bruhn, H., Oerter, R., & Rosing, H., eds. (1985), Musikpsychologie. Baltimore: Urban and Schwarzenberg.

Budd, M. (1980), The Repudiation of emotion: hanslick on music. Br. J. Aesth., 20:29-43.

Bush, M. (1967), The problem of form in the psychoanalytic theory of art. Psychoanal. Rev., 54:5-35.

Bychowski, G. (1951), Metapsychology of artistic creation. Psychoanal. Quart., 20:592-602.

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Capri, A. (1945), Giuseppe Tartini. Milan: Garzanti.

Castel Nuovo-Tedesco, P. (1978), The mind as a stage: Some comments on reminiscence and internal objects. Internat. J. Psycho-Anal.,59: 19-26.

Catholy, E. (1961), Das Fastnachispiel des Spatmittelters: Gestalt und Funktion. Hermaea Germanische Forschungen, Neue Folge, Vol. 8.

——   (1966), Fastnachtspiel. Stuttgart: J. B. Metzler.

Chasseguet-Smirgel, J. (1984), Creativity and Perversion. New York: W. W. Norton.

——   (1985), The Ego Ideal: A Psychoanalytic Essay on the Malady of the Ideal, trans. P. Barrows. London: Free Association Books.

Chennevière, R.D. (1919), Erik Satie and the music of irony. Musical Quart., 5:469-478.

Cheshire, N.M. (1996), The Empire of the ear: freud's problem with music. Internat. J. Psycho-Anal., 77:1127-1168.

Chessick, R. (1980), Freud Teaches Psychotherapy. Indianapolis: Hackett.

——   (1983a), A Brief Introduction to the Genius of Nietzsche. Washington, DC: University Press of America.

——   (1983b), The Ring: Richard Wagner's dream of preoedipal destruction. Amer. J. Psychoanal., 43: 361-374.

——   (1985), The Psychology ofthe Self and the Treatment of Narcissism. New York: Jason Aronson.

——   (1986a), The search for the authentic self in Bergson and Proust. In: Psychoanalytic Perspectives in Literature and Film, eds. J. Reppen & M. Charney. Madison, NJ: Farleigh Dickinson University Press.

——   (1986b), Heidegger for psychotherapists. Amer. J Psychother., 40: 83-95.

——   (1989), On falling in love. II: The two woman phenomenon revisited. J. Amer. Acad. Psychoanal., 17: 293-304.

——   (1990), On falling in love. III: Creativity and problem-solving. Amer. J. Psychother. (in press).

Ciardiello, J.A. (1985), Beethoven: modern analytic views of the man and his music. Psychoanal. Rev., 72:129-147.

Chijs, A., Van Der (1923), An attempt to apply objective psychoanalysis to musical composition. Internat. J. Psycho-Anal., 4: 379-380.

Chissell, J. (1983), Clara Schumann: A Dedicated Spirit. London: Hamish Hamilton.

Clark, R.W. (1997), Book review. "Music and the Mind," by Anthony Storr. Psychoanal. Q., 66:145-147.

——   (1997), Book review. "Psychoanalytic Explorations in Music: Second Series," by Stuart Feder, Richard L. Karmel and George H. Pollock. Psychoanal. Q., 66:357-360.

Clynes, M., ed. (1982), Music, Mind and Brain. London: Plenum.

Coeuroy, A. (1951), Schumann et Bach. Contrepoints, 7: 27-33.

Coker, W. (1972), Music and Meaning. New York: Free Press.

Colbert, J. (1963), On the musical effect. Psychia. Quart., 37:429-36.

Coltrera, J.T. (1965), On the creation of beauty and thought: The unique as vicissitude. J. Amer. Psychoanal. Assn., 13: 643-703.

——   (1981), Lives, Events, and Other Players: Directions in Psychobiography. New York: Jason Aronson.

Comini, A. (1983), An sichten von Brahms-Idole und Bilder. Kongrefibericht zum III. Gezvandhaus-Symposium. Leipzig: Gewandhaus, pp. 58-65.

Cone, E. T. (1974), The Composer's Voice. Berkeley & Los Angeles: University of California Press.

——  , ed. (1979), Roger Sessions on Music. Princeton, NJ: Princeton University Press.

——   (1982), Schubert's promissory note: An exercise in musical hermeneutics. 19th Cent. Music., 5/3:233-241.

Cooke, D. (1980), Gustav Mahler: An Introduction to His Music. London: Faber.

Cooper, M. (1970), Beethoven: The Last Decade, 1817-1827. London: Oxford University Press.

Copland, A. (1952), Music and Imagination. New York: Mentor Books.

Corbin, E.I. (1974), The autonomous ego functions in creativity. J. Amer. Psychoanal. Assn., 22:568-587.

Coriat, I.H. (1945), Some aspects of a psychoanalytic interpretation of music. Psychoanal. Rev., 32: 408-418.

Cowell, H. (1926), The process of musical creation. Amer. J. Psychology, 37: 233-236.

Cowel I, S. (1969), Charles Ives and His Music. London: Oxford University Press.

Clynes, M., ed. (1982), Music, Mind, and Brain: The Neuropsychology of Music. New York: Plenum.

Craft, R. (no date), Erwartung, Notes on the Dramatic Structure. Record jacket notes, Columbia Records.

Croce, B. (1902), Estetica come scienza dell'espression e linguistica generate. Milan: R. Sandron.

Cross, M., & Ewen, D. (1953), Milton Cross' Encyclopedia of the Great Composers and Their Music. Garden City, NY: Doubleday.

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Dahlberg, C. (1970), Sexual contact between patient and therapist. Contemp. Psychoanal., 6: 107-124.

Dahlhaus, C. (1978), The Idea of Absolute Music. Chicago: University of Chicago Press, 1989.

Dale, K. (1952), Piano music. In: Schumann: A Symposium, ed. G. Abraham. London: Oxford University Press, p. 63.

Darwin, C. A. (1872), The Descent of Man and Selection in Relation to Sex, Vol. 2. New York: Appleton.

Debellis, M. (1995), Music and Conceptualization. MA: Cambridge University Press.

de Filippis, M. (1948), The Literary Riddle in Italy to the End of the Sixteenth Century. Berkeley: University of California Press.

de La Grange, H. (1973), Mahler, Vol. 1. Garden City, NY: Doubleday.

De Rougemont, D. (1983), Love in the Western World. Princeton, NJ: Princeton University Press.

Deutsch, D., ed. (1982), The Psychology of Music. New York: Academic Press.

Deutsch, F. (1939), The choice of organ in organ neuroses. Internat. J. Psycho-Anal., 20:252-262.

——   (1959), On the Mysterious Leap from the Mind to the Body—A Workshop on the Theory of Conversion. New York: International Universities Press.

Deutsch, 0. E., ed. (1947), A Schubert Reader: A Life of Franz Schubert in Letters and Documents (trans). New York: W. W. Norton.

——   (1965), Mozart: A Documentary Biography. Stanford, CA: Stanford University Press.

Diaz de Chumaciero, C.L. (1990a), Was Freud Really Tone Deaf? A Brief Commentary. Amer. J. Psychoanal., 50(2):199-202.

——   (1990b), A brief report on Freud's attendance at opera performances: 1880-1890. Amer. J. Psychoanal.,50:285-288.

——   (1990c), The identification of Wagner's Der Fliegende Hollander in a dream Freud reported. Amer. J. Psychoanal.,50:337-350.

——   (1991), Sigmund Freud: On pianists' performance problems. Med. Prob. Perform. Art., 6:21-27.

——   (1992a), On Freud's Admiration for Beethoven and His ‘Splendid Creations'.Amer. J. Psychoanal., 52(2):175-81.

——   (1992b), A brief note on Freud and Mozart's Magic Flute. Amer. J. Psychoanal., 52(1):75-8

——   (1992c), On the identity of Sigmund Freud's "prima donna." Amer. J. Psychoanal., 52:363-369.

——   (1993a), Parapraxes in Song Recall: A Neglected Variable. Amer. J. Psychother. 53:3 pp. 225-35

——   (1993b), Transference-countertransference implications in Freud's patient recall of Weber's Der Freischütz. Psychoanal. Rev., 80.

——   (1996), Unconsciously Induced Song Recall: the Process of Unintentional Rather than So-called Spontaneous Evocations of Music. Amer. J. Psychother. 56(1):83-91.

Diether, J. (1963), The expressive content of Mahler's Ninth. Chord and Discord, 2:69-107.

——   (1969), Notes on some Mahler Juvenilia. Chord and Discord, 1:3-100.

Dietrich, D.R., & Shabad, P.C. (1989), The Problem of Loss and Mourning: Psychoanalytic Perspectives. Madison, CT: International Universities Press.

Dimitrijevic, A. (2007) Book Review: Gustav Mahler: A Life in Crisis (2004). Stuart Feder, MD. New Haven: Yale University Press, in American Imago 64(1):109-119.

Douglas, A. (1977), The Feminization of American Culture. New York: Alfred A. Knopf.

Duckles, V. (1980), Musicology. In: The New Grove Dictionary of Music and Musicians, Vol. 8. London: Macmillan.

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Edelheit, H. (1965), Speech and psychic structure. J. Amer. Psychoanal. Assn., 17:381-412.

Edelson, M. (1975), Language in Interpretation in Psychoanalysis. New Haven, CT: Yale University Press.

Edwards, H. S. (1881), Rossini and His School. New York: Scribner & Welford.

Eggar, K. (1920), The subconscious mind and the musical faculty. Proceedings of the (Royal) Musical Association, 47: 23-38.

Ehrenzweig, A. (1953), The Psychoanalysis of Artistic Vision and Hearing. New York: George Braziller.

Ehrmann, A. (1933),Johannes Brahms; Weg, Werk, Welt. Leipzig: Breitkopf & Härtel.

Eibl, J.H. (1970), Mozartiana aus der Sammlung Hermann Härtel. Musikforschung,23: 445.

——   (1971), Mozart verfasst Rätsel. Oesterreichische Musikzeitschrift, 26: 65-7 1.

Eidelberg, L. (1968), Encyclopedia of Psychoanalysis. New York: Free Press.

Eigen, M. (1982), Creativity, instinctual fantasy and ideal images. Psychanal. Rev., 69:317-339.

Einstein, A. (1945), Mozart, His Character, His Work. New York: Oxford University Press.

Eissler, K. (1963), Goethe: A Psychoanalytic Study, Vol. 2. Detroit: Wayne State University Press.

——   (1967), Psychopathology and creativity. Amer. Imago, 24: 35-81.

Elkus, J. (1974), Charles Ives and the American Band Tradition: A Centennial Tribute. American Arts Pamphlet No. 4. Exeter, UK: University of Exeter.

Elworthy, F.T. (1900), Horns of Honour, and Other Studies in the Bi-ways of Archaeology. London: J. Murray.

Emde, R.N. (1977), Toward a psychoanalytic theory of affect. Presented to the Discussion Group, Affect in Theory and Practice. American Psychoanalytic Association, New York, December.

——   (1983), The prerepresentational self and its affective core. In: The Psychoanalytic Study of the Child, 38:165-192. New Haven, CT: Yale University Press.

Encyclopaedia Britannica (1943), 19: 567-568.

Encyclopedia judaica (1972), Jerusalem: Kester (High Holiday Prayer, U-netanneh Tokef), 15: 153.

Engel, G. (1970), Gustav Mahler. New York: David Lewis.

Epstein, D. The Sounding Streams: Studies of Time in Music. New York: Schirmer.

——   Affect and Musical Motion. New York: Schirmer Books.

——   (1995), Shaping Time: music, the brain, and performance. ew York: Schirmer.

Erikson, E.H. (1956), The problem of ego identity. J. Amer. Psychoanal. Assn., 4:56-121.

——   (1968), Identity, Youth and Crisis. New York: W.W. Norton.

Escalona, S.K. (1968), The Roots of Individuality. Normal Patterns Of Development in Infancy. Chicago: Aldine.

Esman, A. (1951). Mozart: a study in genius. Psychoanal. Quart., 20:603-612.

——   (1979), Some reflections on boredom. J. Amer. Psychoanal. Assn., 27:423-440.

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Faber, M.D. (1996), The Pleasures of music: a psychoanalytic note. Psychoanal. Rev., 83(3):419-34.

Farnsworth, P.R. (1961), Musicality and abnormality. Confinia. Psychiat., 4:158-164.

Feder, S. (1978), Gustav Mahler, dying. Internat. Rev. Psycho-Anal., 5: 125-148.

——   (1980a), Gustav Mahler Um Mitternacht. Internat. Rev. Psycho-Anal.,7:11-25.

——   (1980b), Decoration Day: A boyhood memory of Charles Ives. Musical Quart., 66: 234-261.

——   (198la), Gustav Mahler: The music of fratricide. Internat. Rev. Psycho-Anal., 8: 257-284.

——   (1981b), The nostalgia of Charles Ives: An essay in affects and music.Ann. Psychoanal., 10: 301-332.

——   (1983), The enduring father: Psychoanalysis in Ives studies. Presentation to the American Musicological Society. Louisville.

——   (1984), Charles Ives and the unanswered question. The Psychoanalytic Study of Society, 10:321-351. Hillsdale, NJ: Analytic Press.

——   (1989a), The family romance at ninety. Paper presented at the Mt. Sinai School of Medicine, Department of Psychiatry, April. Bernard S. Meyer Memorial Lecture.

——   (1989b), Calcium light nights and other early 'memories of Charles Ives. In: Fathers and Their Families, ed. S. Cath, A. Gorwitt, & L. Gunsberg, Hillsdale, NJ: Analytic Press.

——   (1990), Music in mind. Amer. J. Psychoanal., 24:18-20.

——   (1993), Homesick in America: the nostalgia of Antonin Dvorák and Charles Ives. in Dvorák in America. Tibbetts, J. (ed.). Amadeus Press.

——   (1999), This scherzo is [not] a joke. In: Humor and Psyche: Psychoanalytic Perspectives. Barron, J.W. (ed.). Hillsdale, NJ: Analytic Press.

——  , Karmel, R.L., Pollock, G. (eds.) (1990), Psychoanalytic Explorations in Music (First Series). Madison: International Universities Press.

——  , Karmel, R.L., Pollock, G. (eds.) (1993), Psychoanalytic Explorations in Music (Second Series). Madison: International Universities Press.

——   (2002), Charles Ives "My Father`s Song": A Psychoanalytic Biography. London: Cambridge University Press

——   (2004), Gustav Mahler: A Life in Crisis. New Haven: Yale University Press

Fenichel, 0. (1934), On the psychology of boredom. In: The Collected Papers of Otto Fenichel. New York: W.W. Norton, 1954, pp. 292-302.

——   (1945), The Psychoanalytic Theory of Neuroses. New York: W.W. Norton.

Ferenczi, S. (1911), On obscene words. In: Contributions to Psychoanalysis. London: Hogarth Press, 1952, pp. 132-153.

——   (1913), Stages in the development of the sense of reality. In: Contributions to Psycho-Analysis. London: Hogarth Press, 1952, pp. 213-239.

Feuerbach, L. (1851), Lectures on the Essence of Religion. New York: Harper & Row, 1967.

Field, T.M., Woodson, R., Greenberg, R., & Cohen, D. (1982), Discrimination and imitation of facial expressions by neonates. Science, 218: 179-181.

Fisher, C. (1954), Dreams and perception. J. Amer. Psychoanal. Assn., 2:389-445.

——   (1956), Dreams, images and perception. J. Amer. Psychoanal. Assn., 4:5-48.

Flugel, J.C. (1936), The Tannhauser motif. Brit. J. Med. Psychol., 15: 279-295.

Fraisse, P. (1963), The Psychology of Time. New York: Harper & Row.

Frances, A., Sacks, M., & Aronoff, M. S. (1977), Depersonalization: A self-relations perspective. Internat. J. Psycho-Anal., 58: 325-33 1.

Franken, F. H. (1979), Krankheit und Tod Grosser Komponisten. New York: Witzstrock.

Frazier, Sir J. (1922), The Golden Bough. New York: Macmillan.

Freedman, A. (1956), The feeling of nostalgia and its relationship to phobia. Bull. Phila. Assn. Psychoanal., 6: 84-92.

Friedman, S.M. (1966), One aspect of the structure of music: a study of regressive transformations of musical themes. J. Amer. Psychoanal. Assn., 8:427-449.

Freud, A. (1963), The concept of developmental lines. The Psychoanalytic Study of the Child, 18: 245-265. New York: International Universities Press.

——   (1965), Normality and Pathology in Childhood. New York: International Universities Press.

Freud, E., ed. (1960), Letters of Sigmund Freud. New York: Basic Books.

Freud, S. (1887-1902), The Origins of Psychoanalysis. Letters to Wilhelm Fliess, Drafts and Notes, ed. M. Bonaparte, A. Freud, & E. Kris. New York: Basic Books, 1954.

——   (1900), The Interpretation of Dreams. Standard Edition, 4/5. London: Hogarth Press, 1953.

——   (1901), The Psychopathology of Everyday Life. Standard Edition, 6. London: Hogarth Press, 1960.

——   (1905), Jokes and their relation to the unconscious. Standard Edition, 8. London: Hogarth Press, 1960.

——   (1909), Family romances. Standard Edition, 9: 237-24 1. London: Hogarth Press, 1959.

——   (1910), Leonardo da Vinci and a memory of his childhood. Standard Edition, 11: 63-138. London: Hogarth Press, 1957.

——   (1910), "Wild" psychoanalysis. Standard Edition, 11:221-227. London: Hogarth Press, 1957.

——   (1912), Recommendations to physicians practising psycho-analysis. Standard Edition, 12: 111-120. London: Hogarth Press, 1958.

——   (1914), The Moses of Michelangelo. Standard Edition, 13: 211-238. London: Hogarth Press, 1953.

——   (1914), On narcissism: An introduction. Standard Edition, 14: 67-104. London: Hogarth Press, 1957.

——   (1915), Repression. Standard Edition. 14: 159-215. London: Hogarth Press, 1957.

——   (1915), Thoughts for the times on war and death. Standard Edition, 14:275-302. London: Hogarth Press, 1957.

——   (1915), Instincts and their vicissitudes. Standard Edition, 14:117-140. London: Hogarth Press, 1957.

——   (1915-1917), Introductory Lectures on Psycho-Analysis. Standard Edition, 15/16. London: Hogarth Press, 1961, 1963.

——   (1917), Mourning and melancholia. Standard Edition, 14: 237-258.London: Hogarth Press, 1957.

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